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Editorial
Giorgio Morandi is one of the most significant and unclassifiable artists in the art of the first half of the 20th century. He was one of the masters of figurative representation and a contemporary of the Futurists.
The catalogue of the retrospective Infinite Resonance analyses in two volumes the influence he received from the Italian Renaissance masters, but also his relationship with Cubism. It also reveals the resonances of Morandi’s work on contemporary artists in essays by the writer and philosopher Andrea Pinotti, professor of aesthetics at the Università degli Studi in Milan, and Alessia Massi, curator of the Museo Morandi in Bologna and scientific advisor for the selection of works by these artists.
Exhibition curated by Daniela Ferrari and Beatrice Avanzi, curators of the Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART).